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UGallery.com

Rooftop 2006

'Rooftop' 2006

*note: this article was published in the first issue of the aforementioned ISO magazine

You might find it worrisome to learn that there are more than 20,000 college students graduating each year with degrees in photography. Based on the ever-looming laws of natural selection, you may feel as if one place your work will rarely, if ever, land is on a gallery wall — unless it is a virtual one. In many ways the Internet has tremendously expanded the photographer’s ability to connect with other artists and the general population. Your work can be thrust under anyone’s nose through the use of blogs, portfolios, and forums. UGallery.com is no exception.

This website was created with the goal to provide art students a market for their work. Branded as a place to find affordable artwork, you won’t be selling for outrageous prices, but you will be getting your work out to the public. And in this economic climate, more and more collectors and casual buyers are turning towards the Internet to find better deals on quality art.

So how does it work? To begin, you apply with a sample portfolio and fill out a questionnaire with an artist statement. While their acceptance rate rests right around 25%, there are most notably a large number of submissions of amateur work. Once contacted and accepted, you may begin posting images to your profile. Each image is reviewed by the UGallery staff and then made available for purchase. The minimum size for prints is set at 12” x 18.” It is also important to note that, like most galleries, they receive 50% of the profit. One of the more formal aspects of submitting to UGallery is the upkeep required for their 48-hour guarantee, as the website promises their customers that the image will be printed and shipped off within 48 hours of purchase. This means if you are out of town or unavailable to print and ship the image, you must post a note ahead of time. Although the staff is helpful and understanding of the busy college schedule, they expect a professional relationship when handling sales.

Pine Island 2006

'Pine Island' 2006

Additionally, the website is somewhat hindered by the plethora of artworks exhibited. There are a few ways they attempt to remedy this, most extensively through the use of filters. Using these search options, you can sift through artwork based on anything from color to school to genre. Perhaps the most interesting aspect of the purchasing process is the “virtual wall” – this little widget allows the customer to view and arrange the artwork on an imaginary wall rendered in your browser. You can change the colors of the wall and floor to match your own while resizing the work and positioning the furniture. Although the virtual wall is a rather disappointing replacement for a gallery wall in Chelsea, it’s better than shoving your prints into a box and leaving them under your bed.

Over the past few years UGallery has grown from a fledgling business into a solid presence, receiving constant and increasing press. Fortunately, as they grow in popularity and recognition, so does the potential for your work. Throughout the year the gallery participates in art and design fairs across the country. Last year, at the ART NOW Fair in Manhattan, UGallery held a room amongst gallery spaces from New York to Sweden. If you are one of the top sellers, there is a good chance the site will exhibit your work in these venues, transforming from virtual into real space. In the end there is nothing to lose by joining with UGallery, so don’t hesitate to jump into cyberspace and pull ahead of your 20,000 competitors.

From the Left – #1

I always keep a small camera in my back left pocket when I’m out (hence the title). I enjoy the idea of the blog because I can post as I go along and show my photographs that aren’t necessarily deemed “website-worthy.” Every few weeks I run through a roll and attempt to find the time to scan them. This will hopefully become a series.

Windham, August 2008

Windham, August 2008

Untitled, August 2008

Untitled, August 2008

Playing the Building, August 2008

Playing the Building, August 2008

Untitled, August 2008

Untitled, August 2008

Fort Myers, August 2008

Fort Myers, August 2008

“A little flavor of home.”

I’m not sure what to think of this coincidence but I find it pretty amazing. After biking home this afternoon I found a package notice on my mailbox. I went to the mail room and to my total surprise received a package from Caroline Krieger Comings (the artist mentioned in yesterday’s post). I opened the package to find:

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Bokeelia Dusk © Caroline Krieger Comings
Bokeelia Dusk © Caroline Krieger Comings

A beautiful watercolor with a charming little note. This gift was extremely coincidental and received at a near perfect moment. Today was a runaround day like most are during the first week of classes as I attempt to get everything sorted out. It was really something to receive a token from home that is calmingly attractive and reminds me of the serenity/relaxed tone of the communities and landscape where I’m from.

Collaboration

Last Door Standing, © Caroline Krieger Comings
Last Door Standing, © CKC

In high school I happened upon a local gallery that eventually accepted two of my photographs for exhibition. One of the painters working in the space surprised me ( I was only a junior in high school ) and asked if she could purchase the right to paint one of my photographs. I was naturally floored and overly excited. A few months later we had a gallery opening and her painting was shown next to my photograph. I was amazed at the size of the painting (48″ x 30″), and continued to be honored that anyone would want to reproduce one of my images.

Last Door Standing

Rooftop of the Broken World

The story behind the photograph was actually quite sad. I was in Tallahassee visiting my sister at Florida State University and I went to explore the downtown area. I was in a back ally when I smelled burning and turned the corner to find a charred building exterior. A man outside told me it used to be a popular restaurant, locally owned and operated and now the owner had nothing left. There was a stairway that led to the roof and on the way up I saw melted door locks and other debris from the fire. At the top was this door that appeared to be the only discernible object still standing. I shot it quickly considering the stairway was as black as the building. Once the photograph took on a new life as a painting the artist, Caroline Krieger Comings, also decided the title “Last Door Standing” would be changed and also take on new meaning. I absentmindedly forget the political inklings of her idea but they were far different from the ideas I had when naming the image. It has been a while since I shot in this way but I was recently reminded of this collaboration since Caroline’s painting was accepted to artKudos. To see more of her work please visit A Visual Experience.

Everglades, © CKC

Everglades, © CKC

I haven’t given too much of an introduction to myself or what I’m doing, but I suppose that will come soon.

For now it’s sufficient to say that I’m home for the Summer in Fort Myers, Florida but I move back to New York next Thursday. I’m more than excited to experience this installation at the Whitney…

- Paul McCarthy